Stage 1 — Primes as standing waves.
Wave p oscillates at frequency p — it completes exactly p full cycles across the well [0, 1].
Its height is 180/p (equal energy: 360 units shared over 2p peaks and troughs).
The white composite is their sum. Notice: the composite looks noisy because the primes are
irregularly spaced — they never form a clean pattern. That irregularity is precisely
what makes them interesting.
Stage 2 — The morph.
Two parameters shift simultaneously as the bar advances:
· Spacing: each wave's frequency changes from p (linear) to
log(p) · t where t climbs with height — log spacing.
· Height: amplitude shifts from 180/p to
1 + √p.
Watch how the waves don't just fade — they physically reorganise, stretching and
compressing as the two systems exchange. The composite loses its prime-well shape and
develops a new character.
Stage 3 — The Riemann zeta function, live.
With log spacing and height 1+√n, the combined wave is the Riemann–Siegel formula:
Riemann's own zeta function ζ(½ + it) evaluated along the critical line.
The yellow dots mark where the wave falls completely silent —
every prime wave cancelling every other at the same instant.
These are the Riemann zeta zeros.
They've been computed to trillions of decimal places. Every single one sits exactly on the ½ line.
Nobody knows why. That's the Riemann Hypothesis.